The equivalent input noise is given as 7dBA, which is very low, and my experience confirmed that noise is not an issue. If asked to describe the character of the mic I’d say it was natural sounding but on the airy side of neutral, which is no bad thing in pop-music work. The microphone features impressive specs with self noise of 7dB (A) and a sensitivity of 27.4mV/Pa which means it will not introduce any noise in the signal chain and you'll need less preamp gain. It is therefor suitable for recording quiet sources such as Foley. The LCT 240 Pro on the other hand has a little more nice, mid-focused character to it. This means it’s great for guitars and some voices, but not quite as versatile as the LCT 440 Pure.

It’s been gaining some popularity recently and with good reason! Some of its owners have gone as far as comparing this budget condenser microphone to the esteemed Sennheiser MKH 416. Lastly, the industry-leading 10-year warranty offered by RODE is also something to consider. However, all of the microphones we’ve talked about so far (especially the Sennheiser MKH 416) are incredibly durable and should last you MANY years.Compared to the t-bone the difference in quality of build is obvious,the LCT440 feels like a decent mic.Compared to the t-bone and sound i found the LCT440 to be smoother at the high end and requiring alot less corrective eq in general. However, if I had the choice between all 4… I’d go with the Lewitt. That’s partly because the TLM-103 has a high-frequency roll-off after 16 kHz. That could come in handy if you’re recording instruments like the electric guitar, but I personally prefer the Lewitt LCT 440 PURE because it remains flat even in the top-end. With super-low self-noise and the ability to handle ear-shattering sound pressure levels, one thing is for sure - nothing will limit your performance on the technical side. PURE function

Versatile Studio Allrounder - No creative boundaries here! This microphone is a true studio allrounder, suitable for recording a wide range of audio sources. With an ultra-low self-noise level of only 7 dB (A), it thrives in quiet environments, while its ability to handle ear-shattering sound pressure levels of up to 140 dBSPL results in an impressive dynamic range of 133 dB (A). Whether you're recording vocals or instruments, the LCT 440 PURE - VIDA EDITION empowers your creativity without compromise. Lewitt Limited Edition LCT 440 Pure Puristic Studio Condenser Microphone, VIDA Edition Specifications: Both of these microphones are useful, versatile additions to any mic collection. Despite being the cheaper of the two, the LCT 240 Pro could easily find a role in many professional-mic collections, as the voicing will definitely suit some instruments more than others; while the LCT 440 Pure is a more neutral-sounding microphone that would make an excellent choice for anyone looking to just add one detailed, high-quality condenser to their collection – there’s nothing it won’t sound at least pretty good on, and it will make many things sound great. Both of these two microphones clearly have their place: the LCT 240 Pro is more suited to guitars used alongside other instrumentation, particularly bass and drums, where the more mid-forward presence would help the acoustic guitar to sit in the mix without getting in the way of the other instruments. LCT 440 pure is a beautiful modern designed large diagram condenser microphone with impressive electronic circuit and wonderful sounding 1 inch capsule, which can also be found in Lewitt hi-end range of microphones.Looking through the grille on the two mics reveals a larger, one-inch capsule in the LCT 440 Pure, compared to the 0.67 inch capsule in the LCT 240 Pro, and while the accessories in each box also differ slightly, it’s this difference in the capsule that really sets the two mics apart. Now, it’s important to make the distinction between the RODE NT1 and the RODE NT1-A. Although these two microphones share many similarities, there’s ONE major difference that made me go with the NT1.

On the other end, it can handle the SPL of 140 dB, so you can throw it in front of the loud guitar amp or drums without worrying it will distort. In fact, at this low price, I would recommend that beginners consider purchasing a pair of LCT 440 PURE models for dual-mic and stereo work. If you don’t need multiple patterns yet, and you use your mic preamp and/or DAW for highpass filtering (gain control at the preamp isn’t the same as a pad on the mic itself), you can get two wonderfully clean mics that will do great service in all sorts of applications for about the same price as a single LCT 450, and for far less than the fancier LCT models. All other things being equal, capsule size can have a huge impact on the sonic characteristics of a microphone. A smaller capsule has less mass than a larger capsule, and so can respond to transients faster than a larger capsule. There are also benefits to high-frequency response and to directionality when using small-diaphragm cardioid capsules.

Testing the mic on speech revealed firstly that the LCT 440 is a little more sensitive than the Aston mic I used for comparison, and secondly, that I was right about that gentle lift giving the mic an airy sound. Speech sounds clear and very ‘present’ but without being harsh, while the low end remains solid, making this a good choice of vocal mic for those singers who need a little help with their clarity. The ‘airy’ character is not overstated, but if you do yearn for a warmer sound, you can always turn the mic slightly off axis to lose a little high end. The 1-inch true condenser capsule captures your audio source with immense detail, retaining every nuance of your sound for exceptional audio fidelity. The clarity and depth the Lewitt Pure delivers preserve the tonality and emotion of your performance. High-end clarity for a natural sound It’s made even more versatile by its three polar patterns (cardioid, omni and figure-eight); a -10dB pad, great for capturing louder sources, and a low-cut for curbing unwanted proximity induced low-mid boost while in either of the directional modes. That being said, the reason you’d pay more for a condenser microphone is for the TOP-END and the fact that these more “budget” microphones compromise on that isn’t acceptable to me.

Frequency response is very smooth, with little emphasis on the upper region, which generally help the sources cut through the mix.Lewitt’s new vocal and instrument microphone retains the essence of their established models, but at a much more attractive price. The RODE NT1 sounds much more neutral and balanced because it doesn’t boost the higher frequencies. The RODE NT1-A actually sounds quite harsh in the top-end. Trying to find things i don't like is hard as the LCT440 is a dynamite performer on everything i've put in front of it so far.The leap in quality of recorded sound has made a big impression upon me and i'm over the moon i made the choice of Lewitt. The Lewitt LCT 440 PURE’s name speaks for itself, providing a pure and clear sound, utilising premium-grade components to ensure the best possible audio performance. The LCT 440 Pure is ideal for capturing studio-grade vocal recordings as well as some instruments.