In the wake of the referendum held in the United Kingdom on 23 June 2016, many new pieces of Brexit-related jargon entered popular use. Cetaceans help us and other microorganisms to remove CO2 from the environment which aids the repair of climate damage. British photographer Simon Roberts’ comprehensive body of work We English surveys the diverse pastimes of ordinary people in the context of the English landscape.

Simon Roberts' third monograph is a comprehensive photographic record of Britain’s remaining pleasure piers, in homage to these monuments of Victorian engineering and eccentricity. During the Covid-19 global pandemic and ensuing lockdown, satellite images released by NASA and the European Space Agency showed a dramatic drop in nitrogen dioxide emissions; the skies were clearer, bluer, the earth was breathing again. When it comes to it, Brexit just isn’t much fun, so the government must do everything possible to disguise its effects. For over a decade, Simon Roberts has photographed events and places across Britain that have drawn people together in public, reflecting on the nature of our shared histories and communal experiences. At least for British citizens active in the European contracting market, the Brexit TCA has brought with it consequences that are many times worse than the 2008 recession which are now persisted into treaties until a sensible government gains office and re-negotiates these with the EU.

The declaration formed the basis for the trade agreement negotiations that started once the UK left the EU. Brextremist bore Peter Bone's tea room hissy fit during a discussion of the details of Theresa May's bad plan confirmed that leaving is a religion for the headbangers' headbanger.

In 2012, The International Olympic Committee granted Roberts photographic access to the London Olympics, but the focus of The London Olympiad is not the sporting spectacle, with its plethora of record-breakers, but rather the surrounding cultural, economic, and political vistas that may be overlooked in the excitement and confusion of these events. If the government was so adamant that Northern Ireland should not have a different customs and regulatory framework from the rest of the UK, or that Northern Ireland should not be subject to the jurisdiction of the EU court, it should have made that abundantly clear to the EU and not signed the deal. October 2019 - The European Union and Britain announce their agreement on a new draft Brexit agreement. I considered a different illustration for this little blogpost but remembered that some visitors like to eat while they are wandering through the blogosphere. A healthier economy allows the government to serve the NHS, those who are too sick to work, and the environment.Tensions over the Northern Ireland Protocol have been mounting ever since the UK formally left the structures of the EU on 31st December last year, and last week saw further escalation. Far from being a constant bureaucratic block on our ancient liberties, Britain’s mythologised dream of unfettered commerce came closest to fruition through laws in Brussels.

Brexit minister Lord Frost and the European Commission’s Maros Sefcovic will hold talks in Brussels on Thursday as efforts continue to resolve issues around Northern Ireland. Comprising photographs from over 200 locations in this vast, eastern nation, this body of work represents the most extensive and comprehensive photographic account of the country by a Westerner. Slow Brexit The term "slow Brexit" was first coined by Prime Minister Theresa May on 25 March 2019 as she spoke to Parliament, warning MPs that Article 50 could be extended beyond 22 May, slowing down the Brexit process.

The Department for Transport also announced that a moveable barrier installed on the M20 will be dismantled over the weekend. The zine’s publication also marks the exhibition of The Brexshit Machine (2020), an LED artwork featuring a continuous loop of new Brexit-related words, at The Container, Tokyo. His work reflects contemporary debates in art and cultural geography that understand landscape as an active process of incremental change, whose representation must be subject to scrutiny. May is an avid animal-welfare campaigner, who already bought 157 acres of agricultural land in Dorset in 2013 which he has since been turned into a woodland wildlife sanctuary. At the same time, these landscapes touch upon themes such as conservation, ownership, history, magic and myth, climate change, childhood fears, and our current obsession with what is ‘native’ or ‘alien’.